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Striving for the highest standards of quality in terms of materials and workmanship is the objective of excellence inherent in the brand’s very name. Indeed, Maxalto derives from the Venetian dialect terms “massa alto”, which mean “the highest”.
Wood is the foremost material, and a decision was made to call attention on all its characteristics, and to use them for the creation of details and in the quality of the finishes while preserving Brianza’s great heritage of craft technique and knowledge. Collection after collection, the constant quest for a different piece, a missing colour and a new material. The finishes range develops following a constant path of excellence and attention to detail and in craftsmanship.

LOTO OTTOMAN, 2006:
AN INTERPRETATION OF ORIENTAL
STOOLS IN CERAMICS.
INCIPIT, 1996:
LIGHT AND ELEGANT,
FOR DIFFERENT ENVIRONMENTS.
XILOS, 2002:
THE WOOD GRAIN ENHANCES
THE SEGMENTED DESIGN.
RECIPIO, 2013:
THE LACQUERED TOP RESTS ON
A SLIM METAL STRUCTURE.
MIDA, 2010: ROUGH CUT SMOKED OAK
WITH LACQUERED INTERIOR,
A HOMAGE TO THE ORIENT.
XILOS, 2011:
STRUCTURE IN BLACK OAK AND LUXURIOUS
TOP IN EMPERADOR MARBLE.
PATHOS, 2011:
IN REFINED WHITE CALACATTA MARBLE,
WITH ROUNDED CORNERS.
MAX, 2001:
IS A TRULY ICONIC TABLE
WITH ITS UNMISTAKEABLE CROSSED LEGS.
FEBO SMALL ARMCHAIR, 2008:
THE DESIGN IS AFFECTIONATE.
THE BLANKET STITCHING IS TONE-ON-TONE .
ERIK, 2013:
DESIGN MEETS THE PRECIOUS
CRAFT TRADITION OF BOBBIN LACE.
PATHOS, 2008:
ALSO THE BENCHES FAVOUR
QUILTED CAPITONNÉ WITH CHROMED STEEL.
Maxalto’s unique lifestyle expresses timeless “modern classic” design where elegance, luxury and precision are the distinctive features of the brand whose refined products are designed to become legendary.